Thursday, October 2, 2008
Wow, what a role reversal.
I was surprised to see Joe Biden attacking John McCain every chance he got, while Sarah Palin stuck to her guns and talked about what her principal would do, sort of.
A word about Joe Biden: he likes lists. They're not always organized too well, but he used them constantly during his answers for effect, though I think that it just tired the American public. If I got one thing out of the whole of the debates so far it's that Joe Biden knows more about foreign policy than any of the other candidates, principals or veeps. It is clear to see that Obama chose him for his knowledge of these situations and for his advice. This was responsible on Obama's part. His constant attack on McCain's voting record, an addendum to every question answered seemed a bit like he was either willing or instructed to do what Obama wouldn't dare do to McCain. He did keep it civil towards Mrs. Palin, and never called her on her lack of experience.
But then again, he didn't need to.
I now have one more reason to vote for Barack Obama, however: Sarah Palin. How this inexperienced knucklehead ever got the McCain ticket will be an endless source of speculation among pundits, but I'll tell you that it wasn't for her debating skills. She had three common answers to everything, but I'll just briefly paraphrase them here:
1.) "I'm middle class; I've been there."
2.) "We need to take care of the greed on Wall Street."
3.) "I've worked my whole political career decreasing taxes."
These answers were frequently interposed with the term "Maverick," which Mrs. Palin used no less than six times before Joe Biden finally got fed up (as I was at that point) and said that on the important issues McCain always voted along party lines (citing examples via list form), so that's not much of a Maverick. I got sick of McCain inferring himself as such and I don't like it any more when I hear his puppet spouting the same nonsense.
Another irritating trait, which can be attributed to Palin's speaking skills, is that she tends to use big words two or three times in short succession - sometimes in the same sentence such as (paraphrasing), "My experience is that my experiences in being governor of Alaska is that I know what my experiences are." I noticed her doing this a lot when Biden launched some attacks at McCain's voting record on Afghan diplomacy. It seems to happen when she's backed into a corner. In a way, it's like the George W. Bush defence; you wouldn't punch a mentally infirmed person (how that moron ever got through the Kerry debates without polarizing the entire nation against him is a question I'll be asking for years), and you wouldn't attack a cute kitten even when it's spouting irrelevant rhetoric. She gets more "mom talking to a baby-like" when she's cornered or the three-by-five one-sided index card that all of her talking points are written on fail her.
Speaking of her talking points, there was one segment where her answer was almost verbatim what John McCain had said last week. I know that most of these jokers don't write their own speeches or debate questions, but that's just lazy, especially when it was contradicted with the same facts a second time in a row.
As for Gwen Ifill: She seemed to be a pretty objective moderator, given the circumstances. Still, I know in my gut that Biden went over the time repeatedly, but she only ever stepped in to cut off Palin (though given Palin's desperate diarrhea-of-the-mouth it might have just been to save the patience of the audience. who knows?).
I'm starting to see that the debate between both parties is highly dubious: Obama/Biden talks about fixing Main Street, even though it doesn't seem feasible that they could do it without raising taxes. McCain/Palin talks of fixing Wall Street, even though history has shown that their party is intimately in bed with them.
One thing that has been pissing me off about the Republicans' foreign policy talk is that they keep referring to Mahmoud Ahmadinejad like he is a dictator who holds his people in place with fear, when the real fact is that Ahmadinejad (giving my spellchecker a workout) is becoming more powerless in his own country by the day because of all the crazy things he says. It's been speculated and confirmed in talks with Iranian citizenry that he is unpopular with both the crazy religious zealots and with the level-headed educated communities, and not likely to have any real power in the near future. His babble is mostly to rile the United States into action so that he can say, "See, I told you so."
Also on the used toilet paper that passes for the Republican doctrine is that the terrorists "hate our freedoms, and our promotion of democracy," when what they really hate is that we keep going in, toppling semi-stable tribal governments to put a puppet dictator in place who oppresses them just so that we can take care of our own assets (read: oil and aircraft bases) in the region. Alternatively, they could take exception to how we fund their terrorist activities until it becomes public knowledge that we did so, causing us to pull out and them to fight their (now more formidable) enemies alone. Seeing the number of jackasses in this country who still listen to Alan Jackson, have mullets, or vote for the candidate that is against abortion (yet still for the death penalty) even though it has been a dead issue for decades, I can see where they would be confused.
It's going to be an interesting four-to-eight years either way.
Saturday, September 27, 2008
Jim Lehrer: Senator Obama, how would you say the _______ will affect your plans for the presidency?
Barack Obama: Well, _______ is very bad. The current state of ________ has been mishandled since 2003. If we want to change that, we will have to actually look at the problem and come up with a new solution, not just continue what has failed to work since the 1980s. Senator McCain -
Jim Lehrer: Please address Senator McCain directly. Dadgummit, I'll get two candidates to talk to one another eventually!
Barack Obama (to John McCain): John, you can't look me in the eye and tell me that you have no reservations about the way the current administration has handled _______.
Jim Lehrer: Senator McCain, same question.
John McCain (to Jim Lehrer, not looking Barack Obama in the eye): I want the American people to know that I also feel that ________ is bad. I'm a maverick in the senate. Let me tell you about World War II. There were a lot of veterans of that war. What was I talking about? Oh yes, Senator Obama wants to spend seven hundred billion dollars fixing our infrastructure, giving everyone health care, and making sure our children are educated past the standards of a third world country! That will raise the American taxpayer's taxes astronomically. We can't afford that!
Barack Obama (to John McCain): I have to correct you John. (Turning to the audience) I am going to give tax breaks to the middle class, and stop giving tax breaks to businesses that outsource American jobs overseas.
John McCain (To Jim Lehrer): Jim, please tell senator Obama that he doesn't know what he's talking about. American businesses pay almost 35% of their income to taxes. Why would a business owner stay in the U.S. when he could go outside of the country and pay less? I'm a maverick in the senate. Senator Obama is showing his naivete in thinking that his plan will benefit American families by driving the businesses that employ them out of the country! I mean, he wants to spend eight hundred billion dollars that we don't have on education, our infrastructure, and health care!
Barack Obama (to Jim Lehrer): Excuse me, I have to interject - (to John McCain) On paper they pay more, but in reality there are so many loopholes in the tax structure that many pay less than they would in other countries. (To the audience) My solution is to simplify the tax structure so that it's fair, and to close the loopholes so that there is no confusion over what they pay.
John McCain (To Jim Lehrer): Jim, please tell senator Obama that he's an ass. He wants to spend nine hundred and forty-two billion - that we don't have- on your health, your kids, and making sure that the bridges you drive across on federal highways every day don't collapse on you! And yet, he refuses to fund our troops in Iraq by giving our existing administration as much money as they want whenever they want it! I should know, I've visited a lot of these places. I'm a maverick in the sen-
Jim Lehrer: Oh shut up, I'm sick of both of you.
I don't know whether it was because these were both potential presidents (unlike the last debate), but Jim Lehrer seemed a bit more impudent than usual, telling the candidates to wait their turn, and complaining when they went over the limit. In short, he was acting almost the way he should have acted a few years ago.
Obama did shine in this debate. He stuck to his guns for the most part, and seemed to keep to the issues at hand, though much of his time was spent correcting the mistakes in McCain's blatant attacks on his character.
McCain wouldn't address Obama throughout the entire debate, and consistently flipped between 800 and 942 billion dollars for Obama's plan for the budget, indicating that he really wasn't sure what it would cost and was just trying to throw big numbers out there to hurt Obama's credibility. This, of course, hit the fan when Obama pointed out that the current republican administration has spent almost a trillion dollars in Iraq that we'll never see again. McCain actually got red-faced and angry at one point during the foreign policy section. I normally wouldn't accuse McCain of this, because I actually have some respect for the guy, but his posturing seemed cowardly and forced.
Out of the two, Obama seemed to have an actual understanding of the way a stable and healthy economy works, as proven by history. McCain (as all Reaganomists) stuck to his guns that the trickle-down theory works, despite the current proof that it obviously doesn't - at least in the regards that all it seems to do now is corrupt those at the top to gather more money and wealth and not spread it around.
McCain obviously has a more realistic view on Iraq, having visited the area more than Obama, but wouldn't concede that we had made a mistake in going there. His philosophy of, "we made this bed now we have to lay in it" is true enough, but why is Afghanistan crumbling and Osama Bin Laden still alive? Plus, I'm sure that Obama would defer some of this responsibility to Joe Biden if it came down to the wire, so I'm not so sure that he couldn't handle that either.
McCain felt it necessary to remind us that he will not win Ms. Congeniality in the senate, due to his gruff, no-nonsense sticking to his guns and what he believes in, but when his voting record agrees with the Bush administration 95% of the time, and history has shown that they're not correct for even half of that, one has to wonder whether his loyalties lie with his lobbyists, his party, or the American people (I'll give you a hint - it's not the last one). The question is, can we trust Obama any more?
A friend of mine felt that McCain won the debate, but he's a tried-and-true brainwashed republican conservative, so I don't usually count his opinion in these matters at full value. I would have to say, knowing what I do from my history and sociology classes in school (though it was an art school - I'm not sure how much credibility that grants me) that Obama's plan will work, assuming the senate doesn't gum it up. I mean, we pay the government to do things right, not to make our lives worse as has been the case for the past eight years.
To sum up the debate:
Barack Obama would say what he would do if elected.
McCain agreed with Obama on the tough issues.
McCain then would attack Obama on his lack of experience.
Obama would correct McCain's factual errors.
(You will notice that nowhere in the preceding segment did McCain say what he would do as president.)
Friday, September 26, 2008
When the original Knight Rider was aired back in 1982 it was something novel and original. It ushered in the genre of shows where the cast took a back seat to the vehicles and technology in the program, and whether that derivative is a helicopter, a motorcycle with machine guns, or even an armored stealth semi-truck the basic premise always remains the same: a group of semi-legitimate undercover operatives fight injustice and crime with impressive technology. Knight Rider executive producer Glenn A. Larson even produced a few more of these shows in syndication, such as the eponymous Viper and the laughable Night Man. These shows are candy for the eyes and brain - usually not good candy like fudge or M & M's, but like Necco wafers or Tootsie rolls; the kind of candy you ingest when nothing else is available but you're in the mood for candy. Ironic that the very producer who started the genre should have run it into the ground so much that we are only now starting to see a return to it with Ford Presents Knight Rider(tm).
I am of course referring to the recent airing of what is the shining gem in NBC's new fall lineup. While the show's title is only ever stated onscreen as Knight Rider, for distinction in all future discussions I will refer to it as Ford Presents Knight Rider(tm) because it is unabashedly an hour-long Ford Motor Company commercial... and cleavage.
In short, that sums the show up, but what kind of review would this be if I didn't go into the exact detail of my dissatisfaction with a television show that nobody forced me to watch? The answer: not a very good one.
The first thing that I noticed, was that even before the opening credits the show's hero (Michael Traceur, a complete lack-wit played by Justin Bruening) and his best girl, Sarah Graiman (Deanna Russo, who must have been directed to just look pissed in every scene) are put into a situation where in order to save their lives they must take off their clothes. I'm not kidding. From there on the plot just drags along having no real point other than to convey to the audience that Mike Traceur doesn't remember about three years of his military life in Iraq, and that the rest of the cast knows something he doesn't.
Returning from the pilot show is Bruce Davison as Sarah's father Charles Graiman. I almost feel sorry for him as I have always found him a capable actor who is often cast in less-than-heroic roles; here he gets to finally play a competent good guy (taking over the role that Edward Mulhare as Devon Miles filled in the original series), but the show is so terrible and the rest of the cast so bland and stereotypical that his performance just seems like melodrama. I can't figure out Ford Presents Knight Rider(tm)'s female cast at all. They're all supposed to be "smoking hot," but the fact the FBI agent and the genius translator girl both look like they shop at the same store for teeny-bopper whores only seems to highlight the fact that the women filling these roles cannot act. Even the villain dresses like a cheap tart and delivers lines so broken and unconvincingly dramatic that you need to wonder what "Hooters" the auditions were held at. That doesn't convey "smoking hot," that just conveys "cheap," and "stupid." There are two other male characters in the show, a government liaison who is obviously supposed to be the show's resident douche bag and a genius nerd type who is supposed to be the comic relief. I understand in this, the post-age of Fox's Buffy the Vampire Slayer that television feels the need to give a seemingly invincible hero a bunch of "Scoobies" to deliver jokes and plot points that the hero can't, but the original Knight Rider only had four regular characters and one of them was a magical talking car, and that worked pretty well for what it was.
Ford Presents Knight Rider(tm) is not trying to be the original show though -- it is trying to be the original show on steroids. Everything is bigger, louder, cooler, and more tech savvy, which is part of why it fails on so many levels. In the original show, Checkmate's (the Knight Foundation's crime fighting organization's code name) mobile lab made perfect sense. If K.I.T.T. needed repaired, upgraded, refueled, or just a place to lay low the inconspicuous black semi truck was perfect cover. In the new show, there is a stationary lab and the car is then transported via a C-130 transport plane to near the location of where it is supposed to go. Being that everything seems to take place in southern California and Nevada and that it would take more time to get the stupid thing packed and airborne than to just drive the car where it needs to go this seems excessive, stupid, and wasteful (not to mention that the plane doesn't even stop - the car just drives out onto the runway - how needlessly dangerous is that?).
The absolute low point in the show though was K.I.T.T.'s transformation. Fans of the old show will remember when the original, aging Trans Am was given a "super-pursuit mode" to keep the show going, and to win the appeal of kids who loved the emerging transforming robots phenomenon. The show Viper even utilized this ability, as the Dodge Viper in the show could even become an AWD 4x4 vehicle with mud tires and a raised suspension. Those were both pretty cool for the time. The new K.I.T.T. has a pursuit mode too - and can also apparently transform into a Ford F-150 pickup truck. That's right: the FORD car transformed on-screen into another FORD vehicle. This was the dumbest thing I had ever seen on television. There's suspending your disbelief, and there's having it thrown to the lions right in front of you - this just happens to fall in the latter category.
So to sum up: I used to love Knight Rider as a kid, and when I grew up I loved the camp value of the fake science and pitifully shortsighted design flaws in K.I.T.T.'s abilities. Now, after seeing this new show, I can take the old show seriously again just by comparison.
Thursday, September 18, 2008
About a month ago in my search for a lead on employment, I came upon a website called Brightfuse through Careerbuilder. For those not in the know, Brightfuse is a career-oriented networking site; kind of like what MySpace would be if MySpace specifically catered careers.
Now, it was not my intention to troll this site, though undoubtedly that's what I will be accused of in the future. I was interested in making a genuine connection with someone there who was experienced in finding creative work, or to at least get some gauge on what I was up against. What I found instead was a bunch of other people exactly like me: that is to say, unemployed or disenfranchised with their job to the point where they were looking for a new career. But they weren't alone - there were also people seeking to line their pockets for other projects, and some "Amway-esque" pyramid scams. When I first logged on, I was contacted by about a dozen people wanting to list me as a contact! This was before I had even put any profile information on the site, so I had to wonder about the legitimacy of their network. I tended to turn down people who didn't share at least some common background with me, my training, or my jobs of the past.
Brightfuse wasn't just individuals though, it was also about groups. There were groups for all sorts of different creeds, and some of these groups were for a less-than-professional discussion. What I tended to notice though, was that most people would start groups (some with very similar charters to other peoples' groups), and then not administrate them. Even when I directly contacted the persons involved to as an easy question like, "where would someone starting out go to learn more about Linux?" or "how often do you get work from this freelance website?" it seemed as though I was being ignored, or that the administrators had started the group before succumbing to some terminal disease during the night. Most had few members and even fewer discussion threads, but one that could not be accused of this was the group "Aspiring Sarcastics (sic)," which I initially thought was set up for the purpose of wit-driven satire of Americana, but after my first few posts I was accused of not being venomous or passionate enough (in truth, I was being sarcastic). Turns out that the group had nothing to do with sarcasm - it was just a discussion where the administrator would ask a "deep" question (about such things as capital punishment or how much help the people who didn't evacuate the current hurricane actually deserve) and then wait for heart-felt responses.
Those who know me know that I have been dreading the up and coming termination of my unemployment benefits, as I have still not found work and after four months of looking I have no idea what to do now. It has made me a bit more morose than usual, and as such I tend to get a bit melodramatic. People would often question my motives for making the observations that I did, and always had a sob-story much greater than my own to retort with, such as "I'm a paraplegic," or "we got one Christmas present a year, so learn to appreciate what you're given you prick!" I make no excuses. I wasn't looking for sympathy, just answers.
If this blog hasn't made it clear by now, I am fully aware that I am a "sniveling (sic), whiny-ass cry baby," (yes John, I read your comment while I was deleting my profile information this morning) but I would also like to add that I am lazy, stubborn, impatient, and self-absorbed. I know this, and I tell it freely to those who ask, but they always give me guff for it anyway, because despite the very real truth of my statement they don't consider that there are people this bad out there. As I tried to tell them diplomatically, after nearly twenty years of trying, I can't elevate myself, so it becomes necessary to bring others to the same level of misery that I feel every waking moment of every day.
What I'm really trying to say with this entry though, is that Brightfuse was yet another incredible waste of time that Careerbuilder introduced me to, just like the various temp agencies that have contacted me in the past because of it.
Thursday, September 11, 2008
I'm not saying that the day should not be remembered at all, though I've read conflicting arguments from survivors of the tragedy as to why we should continue to mourn or not -- while some want the old wounds to heal, others want it to be remembered for all time. It's not that at all; I'm just sick of celebrities and politicians using this national tragedy as a prop for their waning popularity.
The facts speak for themselves:
1.) The needless war in Iraq, which was orchestrated before the attack and fueled by the madness and outrage following it, has now claimed more American lives (over 4,000) than the twin tower collapse (under 3,000), and an untold number of civilian Iraqis, despite the fact that one of our oil-producing allies in the Middle East (her initials are S.A.) harbors far more militant fanatics than Iraq ever did.
2.) From finalizing the plans until completion of construction the original towers took 11 years to build from 1961 to 1972. Seven years later construction on a new project is just now starting to get underway.
3.) Our fearless leaders proudly report that thanks to the curtailing of our freedoms and getting private corporations to spy on us with government backing that we have not had a terrorist attack in the U.S. in these past seven years, conveniently leaving out the fact that the last semi-successful foreign terrorist attack in the United States was the original World Trade Center bombing in 1993 where six people died - an eight year span; even with diligence manifesting itself in racism and xenophobia these things can still happen.
4.) Worst of all, the ringleader of the people who performed this unwarranted attack on a civilian population is still at large, and has not been brought to justice.
Why am I throwing this out there?
It's time to put up or shut up America! If we want to show America's resolve then we need to quit acting like helpless victims, take back our government by electing people of strong moral fiber who will ensure what made America great - our freedom and our right to choose. People who will seek out those responsible and make sure that they are finally brought to justice, via trial! The same people keep making the same bad decisions and then denying their guilt then they've made a mistake! Quit letting these people play both sides of the field for their benefit and no one else! If we don't do something, then next September 11th we'll be celebrating a new national holiday, which I propose we call "Terror Day - the day the terrorists got away with murder, because we let them!"
Monday, September 8, 2008
Manual For Double Lens Head-wearing type Magnifier
Many thanks for your patronage on our above magnifier.
Such type magnifier is with many features and easy operation as follows.
1. Light weight (approx. 110g only). You can get clear solid view in wide sight through the double lens' two square glass.
2. Sticky-buckle head wearing tape. It can be easier to adjust per user's head size.
3. Convenient use: It's no need for the user to take off his glasses and his hands will be free moving.
4. One-touch design. The magnifier is with time x 1.8 and 2.3. Just one touch, then you can change the magnifying time. If glass accessory used, the more time you will get up to x3.7 and x4.8.
5. Increase the sight for precision inspection user under magnifier.
6. Multi-use in a wide range. For professional or ameuter (sic) workers, it can be suitable, i.e. precision processing, mold making, picture taking, mold assembly, sculpture, precision drawing and electronic micro components assembly etc.
When the glass is dirty, please clean it by alcohol or neutral washings. If other cleaning used, the glass will become vague.
MADE IN CHINA.
Saturday, August 23, 2008
I finally beat it after a day, but I spent a few more days finding all of the secrets in the normal mode of the game. They really don't do as much for me as I'd like, but it was still quite a challenge.
I can pretty much get through the last stage every time now that I've played it through, though the end boss still gives me some trouble. Lets just say that "The Leader's" fate is true to the fate of Master D in the original, possibly even worse.
A pretty fun game, overall.
Thursday, August 14, 2008
The game is functionally a remake of the classic 8-bit Nintendo Entertainment System Bionic Commando, which in itself was a remake of the dreadful arcade game Bionic Commando, so a little history is in order:
The original arcade game Commando was released in 1985 to arcades around the world. Its top-down vertically scrolling view of the battlefield was at that time a new theme to the arcade world. Players commanded Super Joe, whose mission was to storm the countryside and take on the enemy army by himself, using only his machine gun and grenades. Commando is inexplicitly popular among these types of games despite its lack of power-ups or simultaneous 2-player play. Truly a bland game among bland games.
Commando was followed up in 1987 with the release of Bionic Commando, where players once again took control of Super Joe, this time outfitted with a bionic grappling hook arm. This game was a horizontally scrolling platform shooter, and the goal was to get Joe to the end of the stage and defeat the core computer systems in each level. Its originality lay in the fact that the player's character could not jump onto the platforms, but had to negotiate them with the use of the grappling hook. Again there were no power ups, and Bionic Commando's frustrating controls, plentiful bad guys with poor artificial intelligence, and one-hit kills resulted in the player being caught in a constant cluster-f**k of bad design – it basically relegated the game to obscurity in the arcades at the time. In spite of this, the game was ported to numerous home computer systems the same year, with variations in game-play themes.
In 1988, Bionic Commando received a major overhaul for the Nintendo Entertainment System. As the 8-bit NES was somewhat less capable of delivering the arcade experience, Capcom re-constructed the game from top to bottom, using the arcade game as a sketch before filling in the gaps in game-play. It wasn't pretty even by the standards of the day and the game could be cruel and unforgiving at times (especially to new players), but Bionic Commando had enough originality and quirkiness at the time to garner a following of cult-gamers. This time, players took the role of Rad (or Lad, depending on who you ask) Spencer, a commando for FF Battalion who has had a bionic grappling hook attached to his left arm.
A note about the character's name: No where in the game is he referred to as "Rad," "Lad," or even "Spencer." He is only ever called "Captain" in the game. Given the character's outrageous hairstyle, bionic limb, and penchant for sunglasses, I do believe the character was originally supposed to be a younger version of Capcom's own superhero, "Captain Commando," who later appeared in his own side-scrolling beat-em-up and later still in Marvel vs. Capcom and its sequel. The game's end credits seem to verify this, and it is only through fan stupidity and Capcom's subsequent re-writes of the game that the infinitely retarded name "Rad Spencer" was added. This is one of the reasons I play Captain Commando so much in the Marvel vs. Capcom series – it takes me back.
Anyway… Players were now given an over-world map with which to access the different areas of the game in any order they preferred, given that they had the necessary equipment to get there… Oh yeah, they also had equipment they could collect by beating stages this time out, adding some much-needed depth to the game. Enemies were pretty stupid, but fairly formidable, and they had more than a few variations throughout the game. Stages were fairly large for an NES game, and getting around them using the bionic arm was something that one had to learn to get through the game. When the player's transport helicopter would connect with an enemy's truck, the game would switch to the traditional top-down style of game-play from the original Commando, adding a surprise amount of variety to the game.
Throughout the game the player uncovers a foreign conspiracy to resurrect a doomsday weapon from the past, as well as its creator, Master D. The game's fan following was cemented when Master D turned out to be none other than Adolph Hitler, and one of the ending sequences had the player shooting him with a rocket launcher causing his face to explode in an uncharacteristically graphic, gore-filled sequence on the NES. My guess is that the game was so hard towards the end that the censors didn't get that far into it.
The game was remade again on the black and white (or dark green and light green) Game Boy in 1991. This version was mostly the same as the NES version, with cleaner graphics, improved swing mechanics, and new characters and plot elements. The design was much more futuristic (as opposed to the 1940's aesthetic of the original), and the vertically-scrolling Commando-like stages were replaced with more side-scrolling. The game introduced a convoluted but still functional password system, a first for the series.
In 1999 another version of the game was released for the Game Boy Color, making use of its higher color palette and bigger memory to provide the player with a new take on the game. While not a bad game by anyone's standards, the characters are just nameless soldiers (the player can choose either a male of female commando this time), the grappling mechanics are much slower and harder to use, and the game performs the most heinous of all glitches – it crashes frequently while you are attempting to save the game, making the battery backup feature completely useless. This is the only version of the game I have never had the patience to play until the end, because it is simply not as fun as the other versions even though it has many new features.
In case I haven't made it clear, I'm something of a Bionic Commando fanatic, though that phase seems to be at an end. The recent remake has polygonal graphics, which are gorgeous even without HD video. The character (now referred to as Captain Spencer) looks like a current-generation version of the original sprite right down to the funky haircut and sunglasses. The bionic arm mechanics seem pretty faithful to the NES original, and probably a bit more like the Game Boy version (which has the best claw mechanics of them all), but some of the improvements that they've made seem sort of off. Swinging to platforms above is a little too easy, and I often find myself landing in places I didn't want to go because the character goes through platforms. You still can't grapple the top of a platform to one below – the only feature I liked in the Game Boy Color version – without walking off of the edge first. All of the art is made to look like real-life versions of the NES's talking heads, which is fantastic, but there is much less variety in the enemies in this game. The enemies have better A.I., but they seem to be less plentiful and the stages lack the variety of hazards that the NES game provided. The bosses are a lot more varied, which balances it out and even long-time fans of the original will have to learn new tricks to beat them. Although I made it through 90% of the game in less than one day, it should be said that I can beat the original without using a single continue, and I find this game far more challenging. The Albatross (the giant laser cannon doomsday weapon) is really pissing me off with its insane level of difficulty, though if I play it enough I think that I might be able to get through it. Rather than add more stages to the game, GRIN (the game's developer) decided to put in "Challenge Stages," which are a virtual reality-like copout to putting new content in. This gimmick didn't impress me with Metal Gear Solid and it doesn't impress me now.
My friend Nick, who is usually able to clobber me in most of the games we play is having trouble making it through the first stage, but then he never really played the original, so that sort of makes me feel elitist. I'm sure he'll figure it out.
Overall, I'm glad that I purchased the game as it has the polish and Xbox live is finally starting to get some complex side-scrolling platform games, but the incongruities in some of the mechanics of play make it at best a mediocre experience and at worst a frustrating one.
We'll see how I feel when I beat it… and I WILL beat it!
Thursday, August 7, 2008
Years ago, at least we had that little Cold War going with the Soviets which injected some much-needed drama into the proceedings. Where is the new generation's "Miracle on Ice?"... Oh, wait THAT was the winter Olympics too. Face it, the summer Olympics are dull, disappointing and take up way too much of our precious television time (I'm sorry, but Conan is the only thing that I ever watch on conventional television, and this pointless crap is going to preempt him). Maybe if they were used to solve international problems (instead of wars) they would make sense. As it stands they're just a colossal waste of time.
The only interesting thing this year will be seeing how far these fine-tuned athletes (young, determined bastards!) will go before developing black lung, or until Beijing's atmosphere catches on fire. This is the country that painted a mountain green in order to beautify the countryside, after all.
Sorry if this sounds cynical, but it is. I hate the summer Olympics, except for the womens' beach volleyball competition.
Wednesday, August 6, 2008
A good place to make use of this portability is the Beehive, which is the coffeehouse that I have been frequenting since becoming unemployed. Other than having reasonably priced gourmet iced tea and somewhat expensive but otherwise damn good baked products, they also offer free WiFi to their patrons, and relatively unguarded power outlets (my laptop's battery has been offline for about five of the nine years that I've owned it). Last night I decided to make use of this feature to check my e-mail and to revamp my resume in the hopes of snagging a job fairly soon.
My friend Bill was there, though he was meeting other people, so I offered him a ride home once I was done with what I was trying to do. As soon as I sat down to use my computer though, something was amiss - the network card had stopped working mysteriously, even though the device manager was showing it as being connected and working properly. For some reason the driver software wouldn't acknowledge that it was plugged in. I had to reboot and re-install it about ten times before it finally took, and even then I'm not sure that I did anything special - it just decided to start working again almost magically. This is why I hate computers.
Anyway, once I had it up and running again I began to update my resume, being careful to take all of the blatantly negative things off of it, and recreate them as "learning experiences." It is because of this that such statements as, "I found that I couldn't deal with customers" became "I learned that retail customer service and I were not an ideal fit."
While I was doing this, two girls sat across the isle from me. One had her back turned to me the whole time, but out of the corner of my eye I noticed that one of them had the most absolutely brilliant smile I had ever seen. It wasn't a matter of white teeth, it was wholly a matter of expression - she just had the most pleasant, cheery demeanor that I had seen in quite some time. Bill came over and began talking about things, but I found that I kept waiting for a break in his conversation so that I could go over and ask the girl for her picture. I hated to seem distant and distracted, but I was.
I took out my camera and walked over. I explained to her that I had a weird and unusual request, and then I told her why. Despite being cornered by this strange, ugly, old person she gracefully accepted my proposal, and she seemed genuinely concerned that she didn't photograph well. "Poppycock!" I explained (or words to that effect), and with only one picture I captured her beauty forever, and showed it to her and her friend:
Unfortunately, my camera's CCD tends to wash out "flashed" objects, and so this morning I did some color correction in Photoshop - not just to the colors, but to the mood as well. The Beehive is a seedy, poorly lit place, but her smile brightened it up, and I took some of the glare off of her face that was brought on by my camera's flash. Now you can see her deep brown eyes stand out in contrast to the whites, and I whitened her smile a bit for emphasis. The background is now more subdued, but I feel that the falsification matches the mood far more than the plain picture:
So that is what I did last night. To the girl that I took the picture of, I may not know your name, but your smile will stick with me for a while - keep doing it!
Sure, it's secure and has many features that the more widely-used browsers lack, but it's so damn obtuse when it comes to little things like copying and pasting text, and so finicky about clicking on objects that it's becoming more of a headache than "the next big thing."
When I have clicked multiple check boxes to delete mail from my Hotmail account, and Opera has the gall to tell me that I didn't check anything and then proceeds to take away all of my check-marks, my patience begins to wear really thin, really fast.
When it won't let me access the text entry box in my MySpace account for no perceivable reason, forcing me to use the simple editor, and then deletes all of my text just before uploading so that I have to recreate the entire page again, that's a deal breaker.
Opera, get your shit together. Until then I'll continue with Firefox.
Thursday, July 31, 2008
Forever lasted about five years, and in '99 I was ready for another PC. This time though, I wanted to focus on coming up with ideas for games and not actually building them myself, to learn programming at my own pace. This never happened - I had a job as a computer operator, but was not well educated enough to get a job programming for my company. This is when I decided to go back to school to learn more about what I wanted to do - make video games. Unfortunately, by the time I managed to get everything together to do it, a stock market crisis (9/11) robbed me of the funds that I wanted to use towards that end.
As a result of my destitution, I began working part-time at a local video game retailer. The plan was that (along with my subsequent bankruptcy) having basically no income would allow me to borrow more funds to attend school. My parents made it clear early on that they would not help me in this endeavor, as their finances were stretched thin as it was. Yes, it is indeed a twisted system, but the funds would have been forthcoming.
I began to seek attendance at the Art Institute of Pittsburgh (AIP), who was starting a Game Art and Design program. I want to make it clear from the beginning that I wasn't really interested in the art so much as the design. I was hoping that the school would help me unlock the process by which games were made, as well as honing the skills that I would need to express my ideas more clearly. While I wanted to wait until the summer quarter, the school insisted that I sign up for the spring. In doing so I had to use an older 1040 tax sheet which showed my income as considerably more than what I actually had made the year before, thus denying me sufficient funds for awhile. The school began charging me interest when I had opted to wait on interest, and their financial department seemed bound and determined to squeeze every last cent that they could out of me while I attended school, leading to some very bad weeks where I couldn't even afford ramen noodles to feed myself (I actually went five days without eating because I was broke, while the government refund checks that I was given had to be signed over to the school every quarter, for reasons they never sufficiently explained to me). Not that I didn't work during this time, but my employer seemed satisfied to give me four hours a week sometimes, just to spite me, I guess (you need at least twenty hours a week as a student to qualify for food stamps).
As time went on at AIP, I began to notice a great bit of disparity in their standards: I was apparently not good enough for the game art and design program from the start, so they put me in animation, a course that I was not interested in at all, for what they told me would be two quarters. When those two quarters were up, they told me that it was actually three quarters and that I was S.O.L.. Meanwhile, in the classes that I shared with the game art students, I noticed that quite a few of them were drawing stick figures ala third grade art class, and wondered if they really were better artists than me (the answer was a resounding "no."). By the time I actually did get into game art, I was behind. I wasn't learning anything in most of the 3D classes, usually because the teachers couldn't sufficiently answer any of my questions, but also because I later found out that they were forcing us to learn not the basics of the programs, but ancient, outdated methods of doing things that should have been avoided from the start.
Nearing the end of the three-year Bachelor of Science program, I began to feel as though I had completely wasted my time and money. I didn't know how to do anything that they wanted me to do because the teachers kept changing the cirriculum on us based on their own inability to manage time. My under-paying job was starting to get on my nerves, and the school career counseling department, which consisted of one bitter eighty-something senile old lady (who is as of this writing dead - and the new students won't even know what they missed, and should be thankful) wouldn't help me find something more in-tune with my major. I have to say that the school's counselors at that time were the most inept, impotent bunch of worthless human garbage I have ever met, and that's coming from someone who considers themselves worthless, impotent and inept!
My uncle at this point had decided to renege on his promise to me to buy my grandfather's house (not that I blame him for that, it's just that he couldn't have picked a worse time), so I had the added stress of losing a home that I couldn't make payments on - this too was my own fault, as I had taken a mortgage out on the place to pay debts some years earlier. I came home one winter to find that part of the ceiling had collapsed and that the cold had allowed the mildew to take over the old place.
I'm sorry, let me sum up my points:
1.) I had declared bankruptcy so my credit was a mess.
2.) School was stressful, demanding, and unrewarding
3.) My job was stressful, low paying, and also really stressful.
4.) I was losing the house that my late Grandfather had entrusted to me, that I had never really appreciated until I had lost it.
School portfolio review was coming up, and I didn't have anything to put into it. The new teacher they hired, Gabe, was just plain crazy as he wanted the game art students (who hadn't had any solid education in how to do anything) assemble a working 3D game in two weeks. I got a "D" in my low-poly modeling class because the teacher (Ruth Comely) decided to make it a high-poly modeling class, and spent all of half an hour explaining to us how to rig a skeleton to it. The horrifying thing was that at that point Ruth was teaching almost all of our classes and giving us Herculean homework assignments for each one, so she knew that we didn't have time - she just wanted to make our classes as hard as her master's degree classes were at Carnegie Mellon University (CMU). She gave me the "D" as a favor - I couldn't figure out how to rig my model or do facial movements - when I should have gotten an "F." That's when I decided to leave school. I just couldn't compete anymore with all of the bullshit; I had come there to learn, but all they wanted to teach me was that I didn't know anything about it.
I left AIP in early '06. Almost a year later a collections agency contacted me and said that I owed them $7000, because AIP had charged me a little over $4000 but never bothered to tell me, and that they had tacked on collections fees and interest. I couldn't pay because I was making less than $20,000 a year at my new job, and most of that was used for paying rent, transportation, and utilities. I deferred those payments in a consolidation loan.
Why am I putting all of this in my blog? Well, a few weeks ago I received a call from Westwood College, wanting to know if I was interested in going back to school with them. I was skeptical, because I had such bad experiences with AIP and the correspondence school, but they talked me into applying, only to spring on me at the last minute that I needed someone to co-sign the loan. As per my parents telling me never to ask, I told them that it was an impossibility, and that I was sorry I had wasted their time. Last week I got a call from another recruiter for the same school, who told me that I didn't need to have a co-signer, and explained the options to me. I spent $100 for the application fee, only to be told by Westwood's financial services department that I needed a co-signer to get all of the funds that I would need. I restated for about the tenth time that there was no co-signer, and then they began suggesting "scholarships."
My view on scholarships is that they only benefit two types of people: 1.) Suburban rich kids who are so well off that they can spend time volunteering at various humanities and don't have to get a job by the time they're sixteen just to pay for a car that their father pressured them into buying. 2.) Rich or poor kids who are so ingenious that they probably don't need to go to college anyway. As I fit into neither category, I have never found a scholarship that I am eligible for.
At this point it was clear to me that I had been right all along in my assumptions that they were just pressuring me to sign up to fill some stupid quota, not setting me up to succeed, but hoping that they could drain me for tens of thousands of dollars before I failed. As part of the application fee was refundable, they only took me for $25.
I hate colleges, post-secondary schools, and trade schools. It is probably because I am so stupid that I can't grasp the tools that they insist that I use, but in my mind it is because of all of the hoops of bullshit that they make you jump through, making escaping them a financial mess. If I had it to do all over again, I'd tell AIP to shove it, and wait until I felt comfortable starting school; I wouldn't let them pressure me into starting something that I was unsure of right away, or let them change the rules on me at the last minute.
They've helped me to ruin my life more than I could ever do alone.
Monday, July 28, 2008
Taking place in the months following Batman Begins, the film lets you know how much things have changed. Bruce Wayne (Christian Bale) has continued his crusade against evil, helped every step of the way by the cheery and insightful Alfred Pennyworth (Michael Caine) and with the inventions of the brilliantly discreet Lucious Fox (Morgan Freeman). Rachel Dawes (played very believably by Maggie Gyllenhaal, who has taken over for Katie Holmes, who came down with a bad case of Tom Cruise slightly before this film was cast) has moved on with her life. Her new boss and beau is Harvey Dent (Aaron Eckhart) who seems to be taking their relationship very seriously, much to the chagrin of her childhood sweetheart, who very much wants Dent to clean up the city so that he might win back Rachel's affections. Crime is down, the mob is on the run, and the charismatic and well-meaning Dent is poised to take down the stragglers with the long arm of the law and not a grappling hook. It seems as if the Batman's days of usefulness are nearing their end...
Enter the Joker.
Chaos begins again in Gotham with the arrival of a mysterious clown who first steals from the Mafia then strikes a deal with them to eliminate the Batman. The Joker (Heath Ledger in what is undoubtedly the scariest performance I have ever seen on film) quickly begins to turn Gotham City's own citizens against one another, creating a wave of terror that begins to unravel the lives of those closest to Bruce Wayne.
In order to review this film properly, we have to discuss the Joker. This is not your campy sixties Joker. This is not the dapper and operetic supervillian of Tim Burton's first film. This Joker even makes the comic book version seem pale by comparison. When this Joker is on screen, you cringe at his every move. You get no origin, no reason for his illogical homicide. There is something twisted and evil in this character, but you can rest easy in the knowledge that Batman will save the day, and that the good guys will persevere.
Except that they don't.
Let me state that again for you, just for emphasis:
The good guys don't persevere.
I won't ruin the ending for you, suffice it to say that cinema as we know it will be turned on its ear. No amount of effort, no gadget in Batman's arsenal, no supporting characters can undo the damage the Joker does in this film. You will be surprised, you will be amazed, but one thing you won't be is disappointed. As great as Batman Begins was, this one is better, and one can only speculate where the franchise will go from here.
From a cinematic perspective, this movie is heavy on plot and its length is sufficiently accommodating. The fights are more sporadic, but crisper and better-filmed than the claustrophobic Batman Begins sequences, and you get to see Batman working with James Gordon (Gary Oldman) much like in the comic books. This film seems to be heavily comic-inspired (much like its predecessor) and that dynamic is reflected in many of the aesthetics here. Batman's uniform is (finally) significantly altered from the - and I know that I'm going to take some flak for this - STUPID design of the 1989 film into something more Batman-like: He can turn his head, his armor is less-formidable, but it allows him greater and faster movement and acrobatics. There are even times when they cover his eyes with a luminescent glass, much like in the comics, but also a much better design than the production crew's of Batman Forever. I can't say how long I've waited for Batman to actually move in the movies, and it was a nice touch to see him do so (yes, he occasionally walks in this one). This film has an odd dichotomy about its production: the Joker's makeup is relatively simple compared to the eighties film, but it works well, while another character's computer-enhanced makeover is far better than any amount of latex makeup. For those fans who hated the Bat-mobile in the last film, they will not be disappointed in this one as they can hope for a new design in the next one.
Overall, I would recommend this film to almost anyone, provided they don't have weak hearts. Those who stubbornly think that Jack Nicholson's performance in 1989 was the be-all, end-all of Joker performances, you will truly be disturbed. To everyone who is sick of "Hollywood" endings, you will be surprised. To everyone who loves "Hollywood" endings, this film will shock you out of that funk.
Tuesday, July 22, 2008
I had never been to one of these events before, and I was looking forward to it for quite some time. In the hours before it started, I decided to go on a long bike ride. As they had closed the route that I was going to take unexpectedly, my ride home was actually about ten miles longer than I had planned for in almost ninety-degree weather (and I am really, really out of shape). This is important to remember so that when I say that I was tired before I walked the mile to the event there is no misinterpretation. Getting home later than I expected, I showered, picked out some clothes, and began to decide what art supplies I wanted to bring. I had expected a few long sets with just a few models, so rather than haul my entire big sketchpad down to the gallery with me I tore three sheets of drawing paper from my 11 X 14 tablet and rolled them into my art tube. For a drawing surface I carried a large clipboard that I had recently purchased from the Goodwill store for two dollars, as it had a handle and my more expensive drawing boards do not. I did all of this because I really didn't feel like hauling my Art Institute of Pittsburgh portfolio bag to the place with me. I brought a bag of various hardness pencils to draw with, and topped the whole of my outfitting with my "Most Pretentious Art Hat," which is really just a golf hat that kind of looks like a beret. I set out later than I would have liked, but I would still get there a little early.
When I first arrived, I noticed (possibly for the first time ever) that Future Tenant is not air-conditioned. Fortunately, after I had made my donation, the drinks were free (I ended up drinking almost all of their Diet Pepsi and a few glasses of water before the night was over). Future Tenant is a rather small space, and they had set up buffet tables with white paper tablecloths on them for the guests. I felt that this was rather pointless, as there really wasn't a stage for the models to pose on. What it amounted to was that if you were in any row but the front one, you couldn't see the models except for their heads and shoulders. Putting them in the center of the room, or having a runway or stage for them would have been better.
The event was M.C.'ed by "Doctor Sketchy" (real name Joe), a loud man in a loud suit who presented the contests and the models. For what he had to work with that night, he did a really good job and I salute him. The theme that night was High Fashion, and one of the models was actually running the show because she was going out to Los Angeles to be a fashion designer. All of the outfits worn by the girls were designed by this model whose real name I cannot recall but went by the pseudonym Vontinka.
This wasn't exactly what I'd call a free-range art show. It was somewhat annoyingly strict in terms of what they wanted you to draw and how fast you had to do it. The first exercise involved drawing a penguin. Like a fool I tried the realistic approach, but the prize was given to a girl who drew a cute and well-executed primitive. You will have to forgive my description of the proceedings, as I didn't really have time to take any pictures of other peoples' work.
Next, we got into the models. We were given two five-minute poses with the first model, and as I hadn't done any real life drawing in awhile it took some time to get into the swing again.
Still, I didn't think that it was all that bad, until I saw the one that won. That's when I knew that I was way out of my league in terms of skill. I just couldn't hold a candle to these other (and usually younger) artists.
The next exercise came when they wanted a drawing of the gallery's namesake, "Future Tenant." They only gave us two minutes to sketch it out, and I really wasn't sure what to do, so I churned out the following cartoon:
I wish that I had more time to finish the cop, but this is the one that won. The gallery's proprietor cracked up when she saw it, so she had to choose it over the Astronauts everyone else was drawing (future tenant, get it?).
It was time for the second model, which as it turns out works at the Bee-Hive coffeehouse that I sometimes hang out at. She has an excessive amount of tattoos, and a shaved-head with a patch of green-dyed hair, but she's actually a really cute girl. I say this because my drawings of her turned out AWFUL, and they can't convey her sublime natural beauty.
See what I mean? I still feel really bad about those, particularly because I see her on occasion when I visit the Bee-Hive. I apologized to her the last time I got iced tea there.
I should point out that in case you haven't noticed yet, all of the "high-fashion" dresses are the same design - a one-piece job with the separation between the skirt and brassiere right below the latter, which makes any fine-looking woman look like she's trying to look like either a toddler or a pregnant mom-to-be. I can't say that I liked the dresses, but that is the current style at a lot of those "pay fifty dollars more than the clothes are worth for discount store quality" stores.
Anyway, the next model and the first model teamed up on the next set, and they were wearing some rather form-fitting clothes, but as it was a ten minute set to draw two figures I didn't finish one (because people were in the way) and failed to tweak either.
After that, she took a break and the fashion designer was brought up to the front and made to pose. She was a tall, skinny girl with red hair and some of the deepest eyes I've ever seen on a person. Unfortunately, both my drawings of her turned out really bad, and I opted to not include them for the sake of this blog entry.
At this point, I began to run low on drawing paper, and had used up both sides of all three sheets. I began to make the drawings smaller and less inclusive to the total figure to save space.
The next model was announced by Doctor Sketchy, right after he said that he didn't know how they were going to replace Vontinka when she had left - the next model was a dead ringer for her, though her eyes were maybe not quite as deep, but still almost as interesting. I got one decent picture of her with a teddy bear in the two ten-minute sets we were allowed.
We then took a little breather while the Models changed costumes again. I got up to get another Diet Pepsi, when who should I see sitting right behind me but my old instructor, Ms. Love. I knew that she probably didn't remember me, and that even if she did that she didn't care one way or the other, much less like me. I just waved and ignored her the rest of the evening.
The exercise that followed was pretty much the same as the "Future Tenant" drawing, except that the theme was "High Fashion." My drawing was of a dress model with a bong mounted on its headpiece and syringes for needles. I lost to a drawing of a marijuana-smoking shoe.
One of the models from earlier came back out with a different outfit on, and she did a few two minute poses:
Once these were done, she did a fifteen minute long pose, aided by the Teddy bear's head:
For the last set, the three main models of the evening changed to long-dress type costumes with some really revealing tops, and made a bustle-train for ten minutes. I was so low on paper at this point that I had to make the drawing exceptionally small in the margins of the overall sheet, but I still managed to get all three figures.
That pretty much wound up the night. I turned to leave and found that Ms. Love had left (probably a great deal earlier), I can only assume because she didn't win any of the contests. This would be something that I would do again, though it would be better if I had friends that were available to do it with me.
Saturday, July 19, 2008
Despite all of her tattoos and piercings, Katie is a very lithe and attractive girl. Because of this, Katie was crying and looked like she really wanted to be left alone - so of course all sorts of guys were trying to console her.
I've heard the story before, of course, primarily from my college days:
Attractive girl dates attractive guy who treats her like crap and eats away her self-esteem so that she thinks she needs him, then attractive guy cheats on her and threatens to dump her when she finds out. Attractive girl then wonders what's wrong with her that attractive guy doesn't like.
Strong language follows; children should be warned.
I sat and listened to her story, but offered no words of empathy. I'm tired of trying to coddle attractive people when they have relationship problems. The crowd of guys sitting around her vying for her affection should have shown her that there is nothing wrong with her, and that she's just been dating an asshole.
Fuck her. Fuck them all. I haven't had a date in five years, and haven't had a girlfriend in almost thirteen. I've been exploring the reasons why, and oddly enough my reasons are very similar to Katie's, and that's the problem: we're both attracted to attractive people. Unfortunately, almost all attractive men are assholes. My problem is that I'm an asshole AND I'm unattractive. Even when I'm not trying to be an asshole I am blatantly ignored by attractive people. They ignore what I say, and usually my very presence. Women run at the sight of me, because all women know that they can do better, and I don't deny that. For those of you that doubt me, I tested this theory at an art party the other night, and that's when I made the connection.
I noticed it a few weeks ago when I went to a dance hall for a free dance lesson - there were FAR more women than men (about two-to-one), yet when they had us pair up, I was alone. There was a gap where there was no woman. Down the line, women were doubling up rather than pairing up with me. Rather than stay there alone, I packed up my things and left.
But I am not attracted to terribly unattractive people either. Ironically, not because they're ugly - I have been trying to be more active lately, and dating someone who weighs more than me might prove counter to that interest. Unfortunately, the few women who do contact me through various dating services are so heavy-set that they are obviously sedentary. Before you accuse me of being a pig, by the way, please observe that there (many) men out there that prefer that body type, I just don't happen to be one of them.
I do have a few "women" friends. The problem is that 90% of them are married and are friends with other women who are married and/or going steady. The ones that aren't are warned away from me early on. I am friends with a few women that I would never date, but this is primarily due to religious and personality differences. My point is that there is no woman on this planet that I would be interested in who would be interested in me, or even get to know me before we started dating, which is what I'd prefer (friends first).
Topping everything else off, I never really learned how to talk to women back when I was still just kind-of ugly, not my current level of fugliness, and looking back there were a couple that were interested, but I was too scared to interact with them.
I know that this will be read by my family and friends more than anyone else, I don't care. I've explained this to people before - if it seems like I'm bitter about it, the truth is I am, and I know that I'm to blame, so please quit reminding me! I'm aware of the problem, but without hundreds of thousands of dollars in plastic surgery I don't know how to fix it.
Wednesday, July 16, 2008
The film's top billing is co-given to Jackie Chan and Jet Li, though neither of them are the main characters. The story's hero is in fact played by an American, Michael Angarano, who some moviegoers will remember from his other lead in Disney's Sky High a few years back. Angarano plays Jason, a Kung-Fu movie obsessed teenager who frequents a mysterious pawn shop owned by the mysterious old man "Hop." Hop is in the possession of a mysterious Chinese bow staff that he says has been in his shop since his father opened it one hundred years before, waiting for its mysterious rightful owner to collect it (so mysterious). Later, when the local bullies realize that Jason and Hop are friends, they force Jason to betray that friendship so that they can rob the pawn shop. When Hop tries to defend his store the gun-brandishing leader of the gang seemingly dispatches him, his last words to Jason inciting the boy to return the staff to its rightful place. With the staff in hand, Jason runs from the gang only to be dragged off of a rooftop by a strange force. When he awakens, he finds himself in a very feudal-looking ancient China, where he is saved and befriended by Lu Yan (a dread-locked Jackie Chan), who is essentially the same character from The Drunken Master. Along the way they meet the orphan-turned-assassin Sparrow (Yifei Liu) and the formidable Monk (Jet Li), and the masters train Jason in the ways of the Kung-Fu he loves so dear so that the troupe can take on the evil Jade Warlord (Collin Chou - more popularly known as Seraph in the Matrix movies) and his hired assassin, the sexy and deadly Ni Chang (played by Bingbing Li - c'mon, say it! Bingbing!).
While the plot is essentially a straightforward coming-of-age story, it brings to mind a sort of Alice in Wonderland exclusively for boys. The real draw for moviegoers is the Marvel Comic-esque (that is to say, two well-meaning heroes who come to blows over a simple misunderstanding seconds after meeting each other) fight between Jackie Chan and Jet Li. Audiences have been waiting years for these aging superstars of Chinese Opera to come to blows, and they will not be disappointed. The fight between the two is extremely long by movie standards, but never seems to get old due to the skills of two seasoned wire-work professionals. This Western production of an Eastern genre manages to capture an epic feel on a limited budget, and without all of the pithy pompousness and tragedy Kung Fu epics seem to require ever since Crouching Tiger Hidden Dragon was produced. It is also a relief to finally see Jet Li play the classical Chinese Sun Wukong (the Monkey King) as one of the few actors who could do the part justice even with a truncated and incorrect story. Michael Angarano provides both the straight man and the audience's portal into the strange world of Kung-Fu beautifully, and it would be a shame if he didn't get bigger roles in the future. On top of everything else, it is refreshing to see a film that has literally no product placement in it whatsoever.
The movie is not without is problems, though. While it is rated PG-13, it is strictly for the violence - which can get intense, and parents with young children should be cautioned - though it is bloodless enough that the more hardcore moviegoer may laugh at the lack of brutality. The story is about as cut-and-dry as it gets, and even though it is nice to see a martial arts film with a happy ending, it does seem to be a little bit compulsory even by Hollywood's standards. There are some exceptionally cheesy and predictable parts in the plot, offset by some very tragic back-story, which gives the audience a rather confused feeling.
Overall, this film is recommended. If you've waited to see J.C. and J.L. in an on-screen bout, this is your film. If not, you'll probably have a good time anyway.
Monday, July 7, 2008
The movie stars Daniel Day-Lewis as Daniel Plainview, a pioneering oil prospector who anyone could admire at the outset of the film. Despite setbacks and hardships he crafts his oil prospecting into a profitable business. Along this journey Daniel's hardships include the injury of his leg (he has to crawl out of the desert to stake his claim), the death of his business partner (leading to the adoption of his son), and his adopted son's deafening during the eruption of one of the wells. For the most part, he seems like the decent sort, but there are hints of his darker nature early on when he swindles a naive church-community out of their property.
After the injury of his "son," things begin to take a turn for the darker. His humanity seems to slip further and further away with each secured fortune. He later confides to his half-brother that he hates people, and only works for money so that he can distance himself from them (to which I can relate). His crimes become penultimate towards the end of the film (yes, there is indeed blood). It's a spectacular performance from an oft-lauded actor, and anyone with an eye for drama will be alternatively appalled and empathetic for his character.
I won't ruin the movie for you, if you like tragic period pieces. Suffice to say it is expertly filmed not as a period piece, but like a modern movie that just happens to take place at the turn of the last century.
The movie even has a moral that is fit for our time:
"Whenever you see an oil man, shoot on sight!"
Calling it annual is something of a misnomer for me: last year, due to a family near-tragedy (my mother's severe car accident) I was unable to go. My friends manage to get together maybe once or twice in a year, and to miss one of those gatherings because of something so stressful... well, it felt like missing Christmas.
To call it a canoe trip is also something of a misnomer. While we used canoes the first few times, we have in recent trips changed to using kayaks. There are many benefits to this, not in the least of which is the individual reduction in weight and speed. A kayak with one person and their gear will drag bottom in the shallows far less than a two-person canoe with no gear. Once not so very long ago my companions and I traversed the rivers in an over-large green PVC canoe that we dis-affectionately called "The Barge." This hulk was a nuisance of the first class, and nearly half of our navigable time was spent climbing out of the monster just to get it free of whatever obstruction was keeping it from moving with the current. My one condition of attendance this year was that I would not pilot "The Barge" anymore. My friend Keith, who was the caretaker of the vessel, revealed to me that he had sold it, and that its green-and-brown mass would not trouble us anymore. Whether owned, borrowed, or rented everyone was issued a kayak this year: singles for singles, and doubles for couples.
I was, much to my shame, out of the planning process for much of this. Not only because I have a particularly bad habit of not checking my e-mail every single day but also because once again I am almost completely destitute and at the whim of my friends' generosity. Anyone familiar with my web log will know the circumstances behind this turn, and I won't recount the details here. Suffice it to say that my friend Brian has helped me out considerably over the past few weeks, and I am eternally indebted to his friendship. To all of my friends I would ask that they just be patient of me, and if someday Fortune sees fit to smile upon me rather than sneering as she steps on my larynx I will be a better and more responsible friend.
So the plans were made: The morning of the Fourth, Brad would pick up Alicia's kayak. Brian, Keith, and Brad would take their kayaks to the boat launch at Kinzua Dam. Sandywould drive to the dam to stay and watch the boats. Brad and Keith would then drive to the ending point (the Buckaloons campground in Irvine) so that we would have a way to get the kayaks home. Brian drove to the Indian Waters branch of Allegheny Outfitters to rent three two-person kayaks for the attending couples (Bill and Sandrita, Tim and Alicia, and Sue and Jeff - her hunky man). On the way back from the outfitters, Brian would pick up Brad and Keith, and everyone would meet at the dam around 10:30 for cast-off.
As most plans go, ours had some small monkey wrenches thrown in just for the sake of normalcy. Bill and Sandrita were caught in traffic while trying to come home the night before, so much that they had to get a hotel to get some sleep before heading home. As a result they were exceptionally tired (as anyone in that position would be) and couldn't maintain the energy needed for the entire trip. I wasn't thinking clearly, or I could have just had Brian pick me up on the way to the dam in the morning, and I could have watched the boats, saving one less car to be parked in the visitors' lot (there wasn't enough room in the car later on to get all of the people back to their vehicles in one shot). These were just minor problems for what was essentially the best-planned trip we've had.
I awoke around eight o'clock that morning and brushed my teeth. Normally I would take a shower to wash my hair and wake up, but because I had cropped my remaining hair fairly short a few days ago and also because experience has taught me that the river is a odorous wench I felt obliged to forgo it until the evening.
For my part, I arrived at the Kinzua Dam on time and without forgetting anything that I thought I'd need. A dry bag that I had purchased at Dick's Sporting Goods was my one extravagance this trip. I tried to keep it light but brought a few conveniences as well including my camera and a towel just in case. The forecast was calling for rain and to its credit there were quite a few clouds in the morning. Noting that I was the only one parked in the lot I called my friend Bill's mom (Gayle) to see if they had left yet. She informed me that they had, but they were late starting due to the aforementioned traffic incident. I inquired to the make of Sandy's car to see if she had arrived yet and given the description I was able to place it. I made my way from the visitor's lot to the boat launch to find Sandy quietly reading a book by the pile of kayaks, still awake and keeping watch despite the fact that she had probably been there for two hours.
We exchanged pleasantries (or as pleasant as I get, I suppose) and waited for the others. While we talked I snapped a few pictures of the dam from the boat launch. From that angle I could only get pictures of the earthen side, but I still noted how the sky was fairly cloudy.
I had barely arrived when a blue pickup carrying three kayaks pulled up behind us, announcing the arrival of Brad
Already the clouds were starting to dissipate, and one could tell that the skies would remain pleasant, sunny, and blue the rest of the day. We took the kayaks out of the pickup and placed them on the concrete steps of the boat launch as Sue and Jeff arrived
Shortly after they got there we were joined by Tim and Alicia. I didn't get any "first impression" photos of them, though I would have if I had been thinking about it. Tim is something of an almost mythological figure - he is oft talked about, but never seen. It was good to finally meet the husband of the "middle-child" of our group (Sue being the little sister). He seemed like a pleasant-though-disturbingly-quiet fellow, and we discussed the day's events while we waited for the last of our pack to commute. I took the time to offer my compatriots sun block and bug-spray. Jeff refused any sunscreen except for his nose, despite our repeated warnings. Keith opted for a full dress - a large hat, fingered gloves, long-sleeved shirt, and even a splash-skirt for his kayak. While other people would see this as being a little excessive, anyone who actually knows Keith knows that he is the "go-to guy" in case of emergency survivalist situations, and should never be mocked for being better prepared. The more experienced rivermen of our group opted for short-sleeve shirts, long pants, and padded, fingerless gloves, with SPF 30+ sunscreen. The less experienced generally wore shorts and tank tops, which would later result in glowing red sunburn. Usually, I fall into the latter group, but this year I count myself among the former, and I'm happy for it.
Bill and Sandrita arrived a little worse for wear, but not late, and we actually disembarked only a little later than we had planned.
I took Brian's little green kayak, even knowing that it would be slower and harder to paddle than his longer, yellow one simply for the fact that I didn't feel that Brian's enjoyment of the day should suffer because of my mooching. I would be remiss if I didn't mention the form factor too - the thin, lithe guy should have the thin, long kayak while the short, squat guy should have the wider, shorter kayak.
The next couple of hours were magical. The northern half of the Allegheny River has, in my admittedly limited opinion, some of the best and most tranquil scenery I've ever experienced while kayaking or hiking. It's not a fun rapids-ride for most of it, as the elevation of the river only changes gradually, and for the most part you can see the bottom. The dam regulates the depth of the water more than anything else, and at the river just below it the water sometimes just barely covers the pebbles on the bottom. Just for clarity, you can really only experience the full beauty of the river on a kayak, as most other boats will drag bottom.
It was in this first stretch that Bill and Sandy started to lag behind, not just because they were exhausted, but also because their boat had trouble going in a straight line. We tried to instruct Sandrita on how to steer it, but none of us had firsthand double-kayak experience, we could only tell them how a canoe worked. Even when they were in a current drift, the boat seemed to want to go to the right, making us wonder whether it wasn't bent somehow. Rentals are hard to figure out that way.
As we traveled downriver, we came to one of the settlement areas - an area of river with houses on it. These houses have road access on the other side, but the people who live in them generally have adapted to living on the river with all manner of watercraft and equipment. This year, one of the houses had a pretty cool piece of carved art, which could only be seen from the river. It was a tree carved like a totem pole, and it was awesome.
It wasn't all that long that we came to the Glade Bridge in Warren. This landmark is generally the end-point for the people who rent from Allegheny Outfitters, as they are often inexperienced or unwilling to commit to a farther endpoint. This area is also noted for the last place to stop before the notorious Warren Rapids (please note my use of sarcasm). It was at this point that we rested for a short lunch break. We turned upstream to a little tributary in order to stop at the Dairy Delite, an ice cream stand just East of Warren. Bill's Mom (Gayle) had made me a lunch, so I decided to use this time to see what was in it. There was a sandwich, an apricot, an apple, a bag of potato crisps, some Oreos, and the most unusual thing of all, a shish kabob. Bill and Sue (who are brother and sister, by the way) didn't seem to think it was unusual, and it was quite good (as was the rest of the lunch) and consisted of ham, turkey, chicken, tomatoes, pineapple, bacon, and scrambled egg. As bizarre as it seemed to be eating it, nevertheless I have to admit that it was a welcome inclusion. I gave my apple to Brian, who enjoyed it while we waited for the others to return from ice cream and "the men's room" (actually just a tree on the island between the river and the tributary).
Some excitement came as we began to pack up and leave our current location. I managed to get my kayak out into the tributary, but the current was stronger than I had anticipated and I ended up getting caught in a tree that was spread out from the shore. I tried to push myself free, but found that I was quite caught in the little branches. Fearing at being caught underneath the water should I let go I called to my friends for help. They thought it quite funny (rightfully so), and there were numerous shouts to stifle help until Keith managed to get a few shots of my predicament. Sandy and Bill finally pulled me free with a few scratches, but I became unbalanced and fell into the water anyway. Bill and I dumped the excess water out, and Brad managed to recover a sponge of Brian's that nearly floated away in the excitement. I didn't lose anything or get too badly injured, although the poncho I had brought in case of rain was now filled with river water.
The next site that we passed was the United Refining Co. of Warren. This dinosaur of a petroleum refinery has been a sore spot on the riverfront for as long as I can remember, but unfortunately it is also one of the last well-paying places to work in Warren. As the demand for Oil increases, I don't think that they have expanded their output, but I could be mistaken. I do know that in years past the company was accused of dumping waste into the river and exhuming pollution into the air. Over the next couple of years they have placated the public by telling them that the white clouds coming from their smokestacks are steam, and by only burning the hazardous pollutants at night when you can't see the black smoke pouring out. Despite these facts it is quite interesting to look at, and some of my best pictures were taken here.
I noticed as we were drifting towards the rapids that there was a trenched river running under the refinery. I had never really noticed it before, and I tried taking several shots of it. Regretfully, I wasn't able to get even one good shot in the five photos that I took because the increase in movement required me to shoot them one-handed. As a result of trying, I was soon left far behind the others as they crossed the rapids.
I had to hurry to get my camera back in the dry bag before hitting the rapids, as one is sure to get wet while traversing them whether one falls out or not. It was the most fun part of the entire trip, though it probably would have been more so if I had gone through it with my friends instead of pursuing a fruitless quest to get pictures of the refinery. I was bounced, I watched water fall over the aft side of the kayak, but I didn't go under, nor did I capsize - the successful part of any navigation.
We were nearing downtown Warren now, and by the time we got to the Liberty Street Bridge we could see the last vestiges of the Parade ebbing to a close.
The phallically-challenged members of our troupe (the girls) jumped at the promise of a "pit-stop" at Brad's apartment, which was only a short way from the bridge. We parked our boats on a sandbar for a short respite while they took care of their business.
While we waited I listened in on an exchange between a mother and her child, whose solution to everything seemed to be to throw rocks at things ("Look mom, ducks! Can I throw rocks at them?" "A fountain mom - look! Can I throw rocks at it?"). His mother found him quite charming, and I have to say that this is the perfect example of the level of ignorance anyone will find in America's heartland.
Once again we parted with the land and set out on the open river.
Almost immediately, we ran into some geese.
I managed to snag a few pictures, but couldn't get the close-ups of the babies that I wanted because I was already a few steps behind the others.
From that point on the river was wider and deeper than before, and there seemed little chance of dragging bottom in any part of it. I struggled to catch up to the others, but Bill and Sandrita were almost completely out of gas. Brian, being the ever-helpful sort tethered them to his kayak and pulled them. It is a testament to Brian's strength that even with Bill and Sandrita in hock I couldn't catch him.
The next few hours were uneventful. The current had stabilized to the point were if you weren't paddling you were pretty much at a stop. Rivermen of all shapes and sizes began to flood the waterways, giving you foul looks like you were disturbing the fish, though their motorized boats and the fact that they were fishing in the middle of the afternoon probably had more to do with their poor haul.
The one highlight I saw in this leg of our journey was the appearance of a Blue Heron - an endangered wading bird native to those parts. I don't have a telephoto lens, so I tried hard to paddle and then to just drift by him quietly snapping a picture as I did. Sadly it did not happen, and he flew away while I was getting my camera out of the bag. I will always remember that moment, but some moments just aren't meant to be artificially preserved, I suppose.
By now most of us were tired of sitting in the Kayaks. We came to the place where some years before we had been caught in a rather violent windstorm while traversing the river. It seems an opportune time to mention it, because at the time I had no web log, and the tale is worth telling. It was a sunny day until we passed Pleasant Township just outside of the City of Warren, when it got eerily quiet on the river. I was sharing a boat with Keith, Bill and Brad were in another, Sandy and her then-husband Kelly were in a boat ahead of us, and Brian was in his new kayak. The clouds were coming just over the hills, and we could feel the air change. We were in a straightaway spot and could see a good distance in front of us. A mist came rolling over the waters, being pushed by a wind that in turn was wrought by the rain. The wind and rain hit us square on. Water that had been smooth a moment before suddenly became feet-high waves. I pulled on my poncho as Keith steered us to an inlet on land. The ground was steep, but we managed to get the boat safely there. The others were gone - we couldn't see or hear them anymore in the chaos of the storm. We pulled our jackets tight and waited for the weather to calm. A storm that raging usually doesn't last, and this one wasn't the exception. After bailing out our boat we began to search the river for our friends, who (luckily) were all right. We all had similar tales, and in our history of these trips that one still stands out as the most exciting and dangerous.
We discussed this amongst ourselves and told the tale to the people who weren't there, but our latest trip ended without any similar incident. We reached the boat launch unscathed if not a little more tired. Jeff soon discovered why we had warned him: He was red in almost all places that the kayak wasn't covering him. On the one hand, I felt sorry for him, on the other, he's handsome and tall, so he deserved it (sorry Jeff).
Once the boats were all back on dry land, we began packing up. Bill's Mom (Gayle) had procured the campground's pavilion, and Keith and Brian's family were waiting there as well - because as a surprise we were having a birthday party for Keith, who (as his nephew Liam put it) is turning sixty-nine (not really).
After a short party (which I felt like a total heel for not being able to get Keith something), I had to have Brad take me back to my car, which was still parked at the dam. Alicia and Sandy invited us to play Pictionary with them against Keith, Tim, and Brad who they claimed were unstoppable at the game. That was later in the night, so I called my parents to let them know that I got back safe and then went to Bill's Mom's (Gayle's) house to collect Brian. I found our erstwhile adventurers slumped on the front steps exhausted.
We decided to let Bill and Sandrita get some much-deserved sleep and went to Brad's apartment.
We quickly learned that it wasn't just that Brad, Tim, and Keith were good at Pictionary, but that Sandy and Alicia weren't. I'm not saying that their drawings were bad (it's Pictionary, after all - how good could they be), just that they made some questionable decisions. In one example, the answer was "Big Ben" (the famous British clock). Brad promptly drew a clock tower, which was guessed quickly, while Sandy drew two curvy lines, implying a formation of the Allegheny Reservoir ("Big Bend"), which of course needed to be explained after we had already lost.
After we had managed to win the second round of Pictionary, Brian and I decided that it was time to sleep. I went home and tried to read before going to bed, but I was so tired that I wasn't getting anything from it. Conversely, I couldn't get to sleep because of the pain in my arms and chest from paddling all day.
Overall, it was a great weekend, and I hope that our group can continue to get together and do this in the future as well.